CO-ARTISTIC DIRECTOR
CCI ALUM SUPPORTED ARTIST/PROJECT

Mame Diarra Speis (she/her), is a mother and movement improviser intrigued with play, risk, rigor, and experimentation. Speis has had the pleasure of working with Gesel Mason, The Dance Exchange, jumatatu poe, Deborah Hay (as part of the Sweet Day curated by Ralph Lemon at the MoMA), Baba Israel, Marjani Forte-Saunders, and Liz Lerman. She recently performed as a guest artist with MBDance in the Motherboard Suite with artist Saul Williams, under the direction of Bill T. Jones. Speis was the recipient of the Alvin Ailey New Directions Choreography Lab and was awarded a Bessie for Outstanding Performer in 2017. Her work has been featured at the Kennedy Center, Long Island University, Joyce SoHo, Hollins University, BAAD, Danspace Project, BAM, Dixon Place, BRIC, Dance Place, and The Kelly Strayhorn Theater. Speis has developed a movement and teaching practice that explores pelvic mobility as the root of powerful locomotion and as a point of connection to the stories, experiences and lineages that reside in each of us. She has been a guest artist and teacher throughout the U.S., South America, Senegal, and Europe. Speis has also taught at Princeton University as a Lecturer in Dance. She has been fortunate to continue building a strong relationship with her alma mater, Virginia Commonwealth University (VCU), in various capacities and was the commencement speaker for the VCUarts graduating class of 2020-2021. Her recent projects include Walking with Trane co-choreographed with Jawole Willa Jo Zollar, and her collaboration with Chanon Judson-Johnson on Hair and Other Stories and Haint Blu.